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Christopher Luna by Alisha Jucevic for the Columbian

Christopher Luna by Alisha Jucevic for the Columbian
Christopher Luna by Alisha Jucevic for the Columbian

Tuesday, April 19, 2011

CONTINENT OF LIGHT edited by David Madgalene and featuring cover art by Christopher Luna available now

Available now. Please consider ordering a copy of this anthology containing poems which address the current state of affairs. I am proud to count myself among the contributors. I also created the cover for the book. I offer my congratulations to David Madgalene and David James Randolph on its publication, and my wishes for its success.

Respectfully,
Christopher Luna
Continent of Light
Editor: David Madgalene


Featuring the work of 54 contemporary writers (the majority of contributors currently active in the Greater San Francisco Bay Area), “Continent of Light” (named after the poem by Katherine Hastings) embodies David James Randolph’s vision of a cutting-edge collection of post-9/11 poetry unafraid to face current urgent social and cultural issues head-on. These poems, truly ripped from today’s headlines, are of intrinsic interest not only to lovers of literature, but to anyone and everyone who
has a stake in the world in which they live.

Contributors: Gordon Yaswen, Randelyn C. Webster, Mike Tuggle, Forest Staggs, Bill Scheffel, Michael Rothenberg, Christine Peasley, Toni Partington, James Miller, Errol Miller, David Meltzer, Andrew Mayer, Clive Matson, Juanita J. Martin, Jym Marks, Tom Mariani, Carl Macki, Christopher Luna, Kirk Lumpkin, Leah Lubin, F. L. Light, Katherine Hastings, Nancy C. Harris, Daniel Y. Harris, Kathy Halbrooks, Don Hagelberg, Philip Hackett, Granny Vee, Erica Goss, judi goldberg, Vilma Ginzberg, Joan Gelfand, Armando Garcia-Dąvila, Stefanie Freele, Karl W. Frederick, Eileen Davis Elliot, Nancy Cavers Doughtery, Geri Digiorno, Jack Crimmens, Ed Coletti, John Chinworth, Neeli Cherkovski, Rikki Chen, Terri Carrion, Jennie Frost Butler, Natascha Bruckner, Abby Lynn Bogomolny, Big Sway, Cynthia Helen Beecher, David Beckman, Michelle Baynes, Jennifer Barone, and Terry Adams

From An Idea by: David James Randolph

Cover by Christopher Luna

Pub Date: March 19, 2011

ISBN-13: 978-1456348250
ISBN-10: 1456348256
Genre: Poetry / General

List Price: $10.00
8" x 10" (20.32 x 25.4 cm)
Black & White on White paper
104 pages

Publisher: CreateSpace
Contact Person: David Madgalene

For Further Info: davidra at sonic.net

Christopher Luna's design for the back cover of the book
(not used in final version of the publication)
Should you want additional copies for review, more information, or if you are interested in an interview, please contact me.

Thank you,
David Madgalene
davidra at sonic.net
http://continentoflight.blogspot.com/

Saturday, April 16, 2011

GHOST TOWN POETRY anthology coming soon

GHOST TOWN POETRY
Cover to Cover Books 2004-2010
An Anthology from the Ghost Town Poetry Open Mic
Vancouver, WA
Edited By Christopher Luna and Toni Partington
for Printed Matter Vancouver


$10
Available at Cover to Cover Books
and through Amazon.com April 23
ISBN 9781461075110

This anthology collects a mere sampling of the hundreds of unpublished and renowned poets who have read at the popular Vancouver, WA poetry series that spoken word legend Jack McCarthy proclaimed to be “the best open mike between Tacoma and Berkeley.” Founded by Christopher Luna at Ice Cream Renaissance in 2004, in 2007 Ghost Town Poetry relocated to Cover to Cover Books, where it became a crucial component of Vancouver’s growing literary community. Edited by Printed Matter Vancouver co-founders and current series co-hosts Christopher Luna and Toni Partington, the book contains poems that were read at the open mic as well as new work. It also features cover art and a history of the series by Christopher Luna and a chronology of the featured readers who have traveled from around the country and the Northwest to share their work.

Ghost Town Poetry features poems by the following writers: Judith Arcana, Bernadette Barrio, Kristin Berger, Alex Birkett, Diane Cammer, Sheryl Clough, Sage Cohen, Kyle David Congdon, Carter Crockett, Eileen Davis Elliott, Naomi Fast, Olivia Gonzalez, Rob Gourley, Sam Green, Lorraine Healy, David Hill, Taylor Johnston, Maggie Kelly, Rainy Knight, Christi Krug, Barbara LaMorticella, Colleen Lindsay, Jake Loranger, Lori Loranger, Zoe Loranger, Jack Lorts, Angelo Luna, Christopher Luna, M, David Madgalene, Carolyn Martin, Jim Martin, David Meltzer, Norma Mizer, Mokii, Judith Montgomery, G.L. Morrison, Dan Nelson, Toni Partington, Jenney Pauer, Charles Potts, Michael Rothenberg, Kori Sayer-LeMieux, Herb Stokes, Margareta Waterman, Steve Williams, Laura Winter, and Sharon Wood Wortman.

The editors of the book are available for interviews.
 

Saturday, April 9, 2011

THE WORK POETRY NEWSLETTER APRIL 2011

April is the month that we celebrate the return of Spring and National Poetry Month. I am certain that the events mentioned below are a mere sampling of the many poetry readings which will take place this month. Enjoy the sun, and enjoy the beautiful words that will undoubtedly be slung.

Portland poet and erotica writer Shanna Germain is hosting a poem-a-day project this month. Pick up your daily prompts and post your poems here: http://notwithoutpoetry.wordpress.com/

I recently posted an interview with Portland poet Sage Cohen, the author of The Productive Writer, a helpful guide filled with ideas on how to organize your writing and increase your success as a professional writer. Our conversation is the latest in my series of interviews with “Partners in Truth and Beauty:” http://christopherluna-poetry.blogspot.com/2011/03/partners-in-truth-and-beauty-march-2011.html

Please also take a look at the April edition of Writing the Life Poetic, the e-zine edited by Sage Cohen which features columns by local writers Brittany Baldwin, Kristin Berger, Sage, Dale Favier, M, Toni Partington, Shawn Sorensen, Steve Williams, and myself:
http://archive.constantcontact.com/fs010/1100476723030/archive/1104984931851.html

I am very happy to announce that we will be returning to Cover to Cover Books for a special open mic reading and celebration of National Poetry Month and four years of poetry at the bookstore. I am very proud of the Vancouver poetry community for sticking with us as we toured the series, and am grateful to the individuals and businesses who stepped up to help during our temporary period of homelessness. You have proved to everyone that in Vancouver, WA, poetry matters.

Please come out to see the new space, share your work, and hear some great poetry. Mel is not yet licensed to serve coffee, but we are permitted to bring food and drink. So if you are so inclined, bring a dish or beverage to share.

THE TRIUMPHANT RETURN OF GHOST TOWN POETRY
TO COVER TO COVER BOOKS
NOW IN A NEW AND IMPROVED LOCATION!

OPEN MIC POETRY
HOSTED BY CHRISTOPHER LUNA
AND TONI PARTINGTON

7pm
THURSDAY, APRIL 14
(and every second Thursday)

COVER TO COVER BOOKS
6300 NE St. James Rd., Suite 104B(St. James & Minnehaha)

Vancouver, WA

all ages & uncensored since 2004


Christopher Luna and Ernesto Claros at Niche March 26
Photo by Olinka Broadfoot

Then, on Saturday, April 23, return to Niche for the latest in a series of multilingual readings I have organized to bring poetry to a larger audience and to honor the diversity of American culture. We will hear poetry read in Spanish, Italian, Slovenian, Romanian, and Vietnamese. For more details, see item 8 below.

Along with the exciting readings listed below, you can read about the return of Burning Word and the WPA, and Big Bridge publisher Michael Rothenberg’s burgeoning social justice movement 100 THOUSAND POETS FOR CHANGE.

May your April be
an eternally blossoming
flower of linguistic wonder,
Christopher Luna

THE WORK
POETRY NEWSLETTER
APRIL 2011

TABLE OF CONTENTS

1. Objects of the Sacred and Profane: Ceramic Sculpture and Poetry by Willa Schneberg at Guardino Gallery (Portland, OR).

2. Figures of Speech Critique Group April 10/ Susan Wooldridge & Barbara LaMorticella + open mic at In Other Words Books (Portland) April 19

3. The Studio Series featuring Kathleen Halme & Wendy Willis + open mic Stonehenge Studios (Portland) April 10

4. Greg Chaimov, A. Molotkov, and Sandra Stone at Moonstruck Chocolate (Lake Oswego, OR) April 17

5. "Your Voice Here" open mic featuring Becca Yenser at St Johns Booksellers (Portland) April 20

6. Allison Apotheker + open mic at Paper Tiger Coffee (Vancouver, WA) April 21

7. “A Celebration of Poetry in Jazz” with Lawson Inada and Emmett Wheatfall (Portland and Seattle) April 22-23

8. Multilingual poetry at Niche Wine and Art (Vancouver) featuring Ernesto Claros, Kelly Lenox, Christopher Luna, Tina Tran, and Silvia Maria Vasiu April 23.

9. Last Monday Poetry featuring David Cooke (Hillsboro, OR) April 25

10. Verse in Person with Dan Raphael, Michael Berton, and Pat Vivian at Northwest Branch Library (Portland) April 27

11. The return of Burning Word and the Washington Poets Association

SUBMISSION CALLS

1.
From Willa Schneberg:

Hi Everyone,

My ceramic sculpture exhibit entitled Objects of the Sacred and Profane will be on display from March 31 - April 24 at the Guardino Gallery, 2939 NE Alberta. The work is inspired by Cambodian street vendors, Torah pointers, Tibetan vajras, and the guard towers at Auschwitz/Birkenau. Painter Anna Magruder is also featured. I will give an Artist Talk & Poetry Reading, Sat. April 16th, 3-4PM. For more information visit www.guardinogallery.com

Hope you can drop by.

All best,
Willa

2.
From Steve Williams

Our next events:

Join us for our Critique Group (open to the public) at In Other Words located at 14 N Killingsworth in north Portland, on Sunday, April 10th at 4 p.m. Bring 8-10 copies of a poem you'd like feedback on from the group.

Also at In Other Words, our April reading features Susan Wooldridge and Barbara LaMorticella. As always we'll have cookies, poetry prompts, and broadsides that you can pick up by donating to the bookstore ($1-$5). We also have an open mic so don't be shy -- bring a poem or two and add your voice to the evening.

Susan was here two years ago for the OSPA conference and her workshop was given to rave reviews. In conjunction with our reading, Susan will be doing a workshop for the creative writing program at Roosevelt High School and another workshop for VoiceCatcher. There are a few spots left in the workshop to benefit VoiceCatcher and you can sign up by going to their web site at www.voicecatcher.org.

We first heard Barbara LaMorticella at the long running series hosted by Christopher Luna at Cover to Cover books in Vancouver (by the way Cover to Cover is reopening in their new site after an October fire on April 1st. Info at http://www.covertocoverbooks.net/). We were impressed then and know you will be impressed with her grass roots humor and biting commentary on a variety of subjects.

Bios:

Susan presents writing and creativity workshops around the U.S. She’s in her seventh year of a series to foster creative expression among people of all ages and backgrounds in rural California libraries sponsored by Poets and Writers organization and the California Center for the Book. Susan helps people begin to begin to play with language and imagery. She encourages everyone to begin a collage journal and some of her workshops now include collage with found objects. Her workshops have been featured in Poets and Writers magazine. Susan’s home base is a co-housing village in Chico, California, at the edge of Bidwell Park (or Sherwood Forest)–where Errol Flynn’s Robin Hood was filmed.

Barbara LaMorticella is a long-time co-host of KBOO’s Talking Earth poetry show. Her second collection of poetry, Rain on Waterless Mountain,was a finalist for the Oregon Book Award. She’s twice been nominated for a Pushcart Prize, was a Poetry in Motion poet, and won a Bumbershoot Big Book Award and the first Northwest Poets Concord prize. She has given over 200 poetry readings and organized and hosted many poetry events, and is the recipient of the Stewart H. Holbrook Literary Legacy Award for Outstanding Contribution to Oregon Literary Life.

Figures of Speech hosted by Steve Williams and Constance Hall

3.
From Leah Stenson:

The Studio Series
Poetry Reading and Open Mic

In March, the Studio Series will feature
Kathleen Halme and Wendy Willis

Sunday, April 10th 7-9 pm
Stonehenge Studios
3508 SW Corbett Avenue, Portland 97239

Free and open to the public, The Studio Series is held monthly on second Sundays. For more information, please contact organizer and host Leah Stenson at leahstenson@comcast.net

Kathleen Halme grew up in Wakefield, a post-mining and logging town in Michigan's upper peninsula. She completed her MFA in Creative Writing at the University of Michigan, where her work was awarded the Hopwood Creative Writing Award. Her honors include a National Endowment for the Arts fellowship in poetry, a National Endowment for the Humanities fellowship in anthropology, and an Oregon Literary Fellowship. Her poems have appeared widely in journals, including Poetry, Ploughshares, TriQuarterly, Virginia Quarterly Review and Anthropological Quarterly. Her three books of poetry are Every Substance Clothed, winner of the University of Georgia Press Contemporary Poetry Series and the Balcones Poetry Prize, Equipoise published by Sarabande Books and Drift and Pulse from Carnegie Mellon University Press. She lives with her husband in Portland, Oregon.

Wendy Willis is a poet, mother, and democracy builder who lives and works in Portland, Oregon. Her peripatetic lifestyle that allows her to make dinner in Portland one night and be at work in the coalfields of West Virginia the next lends to her poems a lexicon of the Republic with a strong dash of the domestic. She is the interim director of the Policy Consensus Initiative and has published poems in a variety of regional and national journals including VoiceCatcher, the Bellingham Review and Poetry Northwest. Wendy lives in Southeast Portland with her two daughters, her husband and his son, and their two unruly dogs.

4.
From Joan Maiers:

LOCAL AUTHORS CELEBRATE NATIONAL POETRY MONTH

Joan Maiers hosts a poetry reading featuring Greg Chaimov, A. Molotkov, and Sandra Stone on Sunday, April 17 at 6:30 PM. Space is limited, so arrive early. Abundant, accessible parking. New books available for purchase and signing. Free and open to the public. $5 donation suggested to assist Haitian girls' orphanage. Moonstruck Chocolate Cafe, 45 S. State Street in downtown Lake Oswego, OR. Contact: 503-697-7097.

5.
We'll be doing our second open mic--"Your Voice Here"--on the third Wednesday of the month, the 20th of April, at St Johns Bookseller, 7-9, 8622 N Lombard Street. Our featured reader will be Becca Yenser. We had a nice turnout out last month when Dan Raphael read, and we're hoping to get even more folks this time. Any way you could pass this info on to your readers would be appreciated. Thanks!
Tom Lavoie

6.
From Dan Nelson:


Hey all you poetry lovers,

A big "Thank You" to everybody who attended or publicized our March reading at Paper Tiger. Alex Birkett was entertaining and profound , as usual, and our open mic readers took us through the gamut of emotions and reactions.

On Thursday, April 21st at 7pm at Paper Tiger, (703 Grand Blvd in Vancouver, about a mile east of I-5 between Mill Plain and Evergreen) we will be featuring the wonderfully understated poetry of Allison Apotheker. Allison wowed us all at the Barnes and Noble reading hosted by Shawn Sorenson back in December and I am thrilled to be bringing her back to the 'Couve. Alison Apotheker is Chair of the English Department at PCC. She has poems published in Prairie Schooner, Mid-American Review, Crab Orchard Review, Cream City Review and many other national literary magazines. Her poetry has won an Oregon Literary Arts fellowship, twice been nominated for a Pushcart Prize and was recently featured on Garrison Keillor’s The Writer’s Almanac. Her first book, Slim Margin was released in 2008.

So come on down on the Third Thursday of April for great beverages, great pastry and great company with some of the best poets and people in the Pacific Northwest. As always we will have an open mic both before and after Allison moves us with her outstanding work. Hope to see you there.

Dan Nelson
360-334-1129
nelsondaniel59@yahoo.com

7.
In honor of National Poetry Month, celebrated Poets Lawson Inada and Emmett Wheatfall are joining together for “A Celebration of Poetry in Jazz.” Performances are in Portland on Friday, April 22nd and in Seattle on Saturday April 23rd. Visit www.petersonentertainment.com for show details.

“A Celebration of Poetry in Jazz” has been created to share the works of these inspired and gifted writers. Lawson & Emmett bring their diverse backgrounds, styles and experiences to life in thoughtful and expressive poetic story. Using music to accent their poetry, these performances are inspiring and evocative. Their mutual love of jazz and music allows this very special concert program to take place.

Lawson Inada’s performance will feature works that are greatly influenced by his childhood experiences while at internment camps during WWII. Lawson’s inspiration comes from dreams, memories and experiences. He will also explore Japanese poetic forms and the interplay of how his life-long love of jazz has influenced his poetry. Lawson cites jazz as the strongest influence in his writing and has done live collaborations with Andrew Hill, Mal Waldron and Jimmy Smith.

Emmett Wheatfall’s material covers romance, faith, betrayal and the matters of life. His words are set to a fierce, sensitive and moving accompaniment that crosses the boundaries of jazz into blues, funk, soul and gospel.

Accompanying the poets are musicians Noah Peterson and Larry Nobori on saxophones, Gordon Lee on piano, Andre St. James on upright bass and Tim DuRoche on drum-set.

Lawson Inada is a true, American, literary talent. He was named Oregon State Poet in 1991 and served as the Oregon’s Poet Laureate 2006-2010. His collection of poems “Before the War” was the first book of poetry by an Asian American to be published by a major New York publishing house. Considered a pioneer in Japanese-American literature, Lawson has received many honors and awards. He won the American Book Award for his work “Legends from Camp” in 1992. He won the Oregon Book Award for Poetry in 1997, the Pushcart Prize for Poetry in 1996 and was honored at the White House for a “Salute of Poetry and American Poets.” He is a Professor Emeritus of English at Southern Oregon University, received two Poetry Fellowships from the NEA, was a Guggenheim Fellow in Poetry in 2004 and currently serves as the Steinbeck Chair for the National Steinbeck Center.

Emmett Wheatfall is a rising star in the world of poetry. He burst onto the scene with his recorded work, “When I Was Young” a music and poetry collaboration with producer Noah Peterson. Featured in Wine and Jazz Magazine, Emmett was called “…one of the most original and powerful debut jazz artists of the year.” “When I Was Young” is currently on air at various stations throughout the country including WWOZ, New Orleans, KMHD, Portland and WPRB, Princeton University. Emmett is a gifted orator and is sought out for his speaking ability. He has done voice-over work and is an annual presenter of Dr. Martin Luther King Jr.s "I Have A Dream Speech" for various organizations during Black History Month. He has two published collections of poems, “He Sees Things” and “We Think We Know” and an audio CD of his poetry entitled, “I Speak.” Emmett has several poems published online for organizations celebrating and promoting African-American Poetry.

The first show is Friday, April 22nd at the First Unitarian Church located at 1211 SW Main St in Portland, OR. Show time is 7:30pm, tickets are $25 in advance or $30 at the door. Tickets are available through Brown Paper Tickets: http://www.brownpapertickets.com/event/163203

The second show is Saturday, April 23rd at the Daniels Recital Hall located at 811 Fifth Ave in Seattle, WA. Showtime is 7pm, tickets are $25 in advance or $30 at the door. Tickets are available through Brown Paper Tickets: http://www.brownpapertickets.com/event/163198

Please join Lawson Inada and Emmett Wheatfall for a rare and special evening of Poetry in Jazz.

For more information, please visit www.petersonentertainment.com

Peterson Entertainment POB 86066 Portland, OR 97286 www.petersonentertainment.com 503-703-9516

503-774-2511

Nancy Anne Tice
Northwest Artist Management
nwam11@gmail.com
http://www.nwam.com/

8.
Stu Jackson and Christopher Luna perform at Niche March 26
Photo by Olinka Broadfoot

Niche poet laureate Christopher Luna invites you to join us for an evening of poetry from around the world. Listen and enjoy poems read in Italian, Slovenian, Spanish, Romanian, Vietnamese, and English.

Learn about other cultures as you bask in the music of another language. This special reading is being held in honor of National Poetry Month and the diversity of the people of the Pacific Northwest.

7pm
Saturday, April 23
Niche Wine and Art Bar
1013 Main Street
http://lekkerentertainment.blogspot.com/

Multilingual poetry read by Ernesto Claros (Spanish), Kelly Lenox (Slovenian), Christopher Luna (Italian), Tina Tran (Vietnamese), and Silvia Maria Vasiu (Romanian).

Stu Jackson and Ernesto Claros perform at Niche March 26
Photo by Olinka Broadfoot
Ernesto Claros was born in El Salvador and witnessed of the atrocities of the civil war. He became a pacifist at the age of 18 and made the journey to the United States on foot.

Kelly Lenox (http://www.kellylenox.com/Welcome.html) is a poet and translator of Slovenian poetry. Her writing and translations have been published in the US, Ireland, England, and Slovenia. She is also the coordinator the Vermont College MFA program's summer residency in Slovenia.

Stu Jackson and Christopher Luna perform at Niche March 26
Photo by Olinka Broadfoot 
Christopher Luna is Niche’s poet laureate and the host of Ghost Town Poetry, an open mic poetry reading that takes place on the second Thursday of the month at Cover to Cover Books. He is also the co-founder (with Toni Partington) of Printed Matter Vancouver (http://www.printedmattervanc.wordpress.com/) and the editor of “The Work,” a monthly poetry newsletter about literary events in Portland and Vancouver.


Tina Tran is a student at Clark College and a freelance photographer for Friendship Photography (friendshipphotography.tumblr.com). She has a love for taking pictures, making greeting cards, and spending time with family and friends. Tina anticipates continuing her education in photography and art history in Seattle, Washington upon graduation in the Spring.

Silvia Maria Vasiu hails from Sibiu, Romania. In 2010 she graduated from Lucian Blaga University with a Bachelor's Degree in teaching Romanian and English. Her dissertation discussed bear hunting in the writing of William Faulkner and Mihail Sadoveanu. Currently attending Clark College to get a Dental hygiene degree, Silvia is fluent in Romanian and English and also knows some Latin, Spanish and German. She has done translation has written a chapter for the forthcoming Anthology of Contemporary Romanian Writers.

9.

HILLSBORO LAST MONDAY POETRY GROUP
135 SE 3rd Ave., Hillsboro
April 25, 2011, 7:00-9:00 PM

For April, our Last Monday Poetry group will be led by David Cooke, who lives and writes in Portland. His debut poem Edges won the Ruth Stone Poetry Prize and was nominated for a 2010 Pushcart Prize. His work has appeared in Hunger Mountain, Flatmancrooked, A River & Sound Review, Heavy Hands Ink and has been featured in performances at the Blackbird Wine Shop, The Press Club, Show and Tell Gallery, Stonehenge Studio, and KBOO’s Talking Earth. He’s also known as The Lawn Guy throughout Portland and Lake Oswego for his lawn maintenance business. Much of his current work is included in his forthcoming chapbook, Discretion.

His theme for April will be Impossible Objects, a discussion on the use of ambiguity to create depth, breadth and variety in poetry.

10.
From: Melissa Sillitoe

Venue: Multnomah County's Northwest Branch Library, NW 23rd and Thurman
When: April 27, 7:00-8:00 p.m. FREE
Contact: Melissa Sillitoe, 503-459-1703


dan raphael recently published Impulse & Warp: The Selected 20th Century Poems, which contains poems from dan raphael's first 13 collections. Children of the Blue Supermarket, a CD in performance with saxophonist Rich Halley and drummer Carson Halley, was released this February. Current poems appear in Rattapallax, Otoliths, Snakeskin and Heavy Bear. Active for a long time as a reading organizer, performer and publisher in Portland, OR, dan has appeared in places like Bumbershoot, Wordstock, Powell's Books, Eastern Oregon U, and the Portland Jazz FestivaOn and currently curates the Market Day Reading Series at St Johns Booksellers.

Michael Berton lives and works in the Alphabet district. Enjoys tai chi, tequila, world traveland reading James Joyce. He has been published recently in Night Bomb Review, Liebamour,and Pot Luck Magazine. He is former poetry editor of The Cereal Box Review.

Pat Vivian was born in Michigan and kept moving west until she saw the Columbia Gorge and decided to make the Pacific Northwest home. She has worked as a forest fire lookout, hospice caregiver, technical writer, journalist, shelter volunteer and educational assistant to kids with developmental disabilities. Her poems have appeared in Calyx, the Oregonian and other Northwest journals and anthologies. Her chapbook A Luminous Trail Through the Wilderness was published in 2000 by 26 Books/Unnum Press. Pat has served as an editor for Portlandia Press and for Fireweed: Poetry of Oregon.

11.
Date: Mon, 14 Mar 2011 16:30:30 -0400
From: newsletter@washingtonpoets.org
Subject: Washington Poets Association is Back!

WPA Revitalization is Underway

Join in the support of poetry!

Are you interested in serving on the WPA Board of Directors?

Email president@washingtonpoets.org to volunteer.

Would you like to be a Burning Word volunteer?

Multiple opportunities are available, including event promotions, program ad sales and program design, facebook page mgmt, day of event doors, tabling, sales and more. Volunteering can be exchanged for admission.

Interested? Contact Burning Word Director Michael Schein at wryink@comcast.net

Washington Poets Newsletter

Dear Friend of the WPA,

Welcome to the new WPA newsletter a place for news, events, writing prompts and poetry. Please read on to find out about the revitalization of the WPA, the return of Burning Word, and the long awaited release of Cascade #2.

WPA Revitalization

The WPA is back! Where did it go? Well, nowhere but since late Spring of 2009 it experienced a significant and quick loss of directors critically impairing its ability to provide programming to its membership.

As of the date of your receipt of this newly launched newsletter the organization has a small group of devoted Interim Board members committed to revitalizing the organization and recruiting a full board of 15 new Directors from throughout the state. If you or anyone you know may be interested in serving on the Board and shaping the future of the WPA please contact president@washingtonpoets.org to volunteer and find out about upcoming Board meetings.

The WPA is financially sound and with its Interim Board is committed to providing the programming and resources members experienced in the past. Within the past 30 days the Interim Board established a co-sponsorship with the Icicle Creek Music Center to bring you back our vibrant Burning Word Festival at a new Central Washington location in the beautiful town of Leavenworth. The Interim Board is also able to announce the way too long related release of Cascade #2 as well as a this new monthly newsletter soon to be featuring member poetry.

The Interim Board is excited and appreciative of all the support of past and present membership to preserve this organization. We are looking forward to a new revitalized organization serving the needs of all Washington poets.

Please plan to join us in Leavenworth, Washington on May 22 for a membership meeting following the Cascade Release Reading at Icicle Creek Music Center on Day Two of Burning Word Poetry Festival

Burning Word is Back! May 21-22, 2011
Leavenworth, Washington

Burning Word returns billowing with poetic fire after a two year hiatus in a new location, Leavenworth, Washington in coordination with Icicle Creek Music Center.

The WPA is eternally grateful to Burning Word Director Michael Schein for his devotion to the creation of Washington poetry community and his vision to reignite the flame of Burning Word at its new location.

To read more about the two day festival taking place on May 21-22, 2011 and to purchase tickets:
http://icicle.org/index.php?option=com_content&view=article&id=150&catid=1&Itemid=141

Cascade #2 Release Reading at Burning Word

The Interim Board is ecstatic to announce that the long awaited Cascade #2 will be released at Burning Word 2011.

All individuals who were members of WPA as of January 2008 will receive a copy of Cascade #2 regardless of membership renewal in the interim. If however, your address has changed since 2008 or 2009 please send your new information to membership@washingtonpoets.org to ensure receipt of your copy of Cascade #2.

A release reading featuring poetry contest winners and journal authors will take place on day two of Burning Word on May 22, 2011 in Leavenworth. If you are a 2008 or 2010 WPA Poetry Contest winner or your poetry is featured in the second volume of Cascade please be on the look out for a future invitation communication with the details of the May 22, 2011 release reading.

Additional copies of Cascade #2 will be available for purchase on Amazon.com. Stay tuned to future newsletters for more details on how to purchase additional copies.

Upcoming Poetry

Send your upcoming poetry events for listing in the newsletter and on the website to newsletter@washingtonpoets.org.

In Seattle on April 2nd at 2pm? In coordination with the Seattle Public Library there will be a Poetry in Fremont reading at the Fremont branch featuring WPA members.

Spread the Word

Please send this email newsletter along to your network of friends and colleagues who may be interested.

Join in the support of poetry!

Here's to a new and exciting future for the WPA. Thank you all for joining in the support of poetry. We hope to see you all at Burning Word!

Sincerely,
WPA Interim Board
Karen Bonaudi - Treasurer
Nancy Dahlberg - Secretary
Donald Kentop
Angel Latterell - President
Jed Myers
Raul Sanchez
David Thornbrugh
Michael Dylan Welch

All past and present members listed with dues paid as of January 2008 will receive a copy of Cascade #2 to be officially released on May 21, 2011. The Cascade #2 Release Reading will take place at Burning Word in Leavenworth, WA at Icicle Creek Music Center on May 22, 2011. Upon release additional copies of Cascade #2 will be available for purchase on Amazon.com

Washington Poets Association
1037 NE 65th St. #324
Seattle
WA
98115

SUBMISSION CALLS

1.
Crow Arts Manor and the 2011 Chapbook Contest

First off, Burnside Review is introducing Crow Arts Manor, an arts center located in Northeast Portland. The space will be used for low-cost workshops, music, gallery space and a public library. Please visit our website at www.crowmanor.org. While there, sign up for our e-mail list or even a class!

Second, Mary Szybist is judging this year's chapbook contest. Submissions are now open and run through June 30th. Complete details are available here, http://www.burnsidereview.org/contests.php

Take care,
Sid Miller
Editor
BurnSide Review
sid@burnsidereview.org

2.

100 THOUSAND POETS FOR CHANGE: An Anthology

(Ed. Anny Ballardini & Obododimma Oha, in collaboration with MICHAEL ROTHENBERG)

"We will turn to the idea of the messianic in Chapter Ten of this book, but for the moment it suffices to stress that both Benjamin and Agamben employ the term in singular fashion. For them, a messianic idea of history is not one in which we wait for the Messiah to come, end history, and redeem humanity, but instead is a paradigm for historical time in which we act as though the Messiah is already here, or even has already come and gone. What is so difficult about Agamben's use of the term messianic is how radically it is to be distinguished from the apocalyptic. Agamben says that to understand "messianic time" as it is presented in Paul's letters "one must first distinguish messianic time from apocalyptic time, the time of the now from a time directed towards the future" (LAM, 51). To this he adds, "If l had to try to reduce the distinction to a formula, I would say that the messianic is not, as it is always understood, the end of time, but the time of the end" (LAM, 51). The model of time corresponding to this idea is one that no longer looks for its decisive moment in a more or less remote future, but instead finds it in every minute of every day, in this world and in this life; and it is through such expressions as "dialectics at a standstill" and "means without end" that the two thinkers aim to return our gaze from the distant future to the pressing present." ( from GIORGIO AGAMBEN: A Critical Introduction, Leland de la Durantaye, 2009, p. 120)

Set in the context of this split between "the end of time" and "the time of the end" is Michael Rothenberg's recent invitation for the global writing public to participate in "a demonstration/ celebration of poetry to promote serious social and political change" titled 100 THOUSAND POETS FOR CHANGE on 24 September, 2011. As protests for political reforms sweep across North Africa, the Middle East, in some parts of Europe, in the United States, with the recent disasters in The Gulf of Mexico and in Japan, one cannot help thinking about the "Rothenberg Project” as a highly significant creative response to change as something more than an adjustment to the way social relations are constructed.

Obododimma Oha and Anny Ballardini, in collaboration with Michael Rothenberg’s event, will edit and feature outstanding poetic compositions for the 100 THOUSAND POETS FOR CHANGE on Fieralingue's Poets’ Corner. Visual artwork, poems, poetic fiction, poetic nonfiction, and photographs to be submitted for consideration should go beyond the simple and gratuitous statement that ‘a change is needed.’ Our present, our Messianic time requires a STILLSTELLUNG (Benjamin’s word) translated by Dennis Redmond in On the Concept of History (1940) with “an objective interruption of a mechanical process” into which we have been engulfed. Dennis Redmond continues in his explanation of STILLSTELLUNG: “rather like the dramatic pause at the end of an action-adventure movie, when the audience is waiting to find out if the time-bomb/missile/terrorist device was defused or not.” We feel that we are living in a similar situation, and we are in need of a Stillstellung followed by ideas to offer our politicians, to make students/friends/our communities more aware of how we can change, revise history, start over again.

Visual works and photographs for submission are to be saved in JPEG format, while texts, which should not have rigid formatting, are to be in Word. All submissions should be emailed to the editors anny.ballardini@gmail.com and obodooha@gmail.com by September 1, 2011 with "100 THOUSAND POETS FOR CHANGE" in the Subject line.

Best wishes,
Obododimma Oha
Anny Ballardini

SIGN UP TO JOIN US AT 100 THOUSAND POETS FOR CHANGE-- THE EVENT

Ps. If you are interested in signing up to participate as a reader, organizer or attendee, in the 100 Thousand Poets for Change event on September 24, 2011, (in your town) please go to Facebook for more details and indicate that you would like to attend the event.

Link: http://www.facebook.com/event.php?eid=106999432715571 .

At Facebook you will be able to read more about event organization ideas and our thoughts about “what kind of change.” Over a thousand people have already signed up and over twenty cities have begun to organize events for their communities. JOIN US!!

Tuesday, March 29, 2011

Partners in Truth and Beauty March 2011: A conversation with Sage Cohen, author of The Productive Writer

Portland writer Sage Cohen talks with Christopher Luna about how to be a productive writer


Sage Cohen has achieved a level of success that many writers merely dream about. A respected poet and teacher, she has also written two books on craft for Writer’s Digest: Writing the Life Poetic and The Productive Writer. Sage has worked hard to establish herself, and has learned many important lessons along the way. Her generosity of spirit has driven her to share what she has learned with others who are struggling, or just getting started. Writing the Life Poetic is a great book filled with practical advice for beginning and veteran poets alike. Sage also edits an e-zine of the same name that contains words of wisdom from local authors including Steve Williams and Constance Hall, Brittany Baldwin, Toni Partington, and myself (http://archive.constantcontact.com/fs010/1100476723030/archive/1102663212204.html).

The Productive Writer contains many helpful tips on time management, professionalism, building relationships, and “putting vision into action.” As Cohen explains, “productivity is a lifestyle choice. Just as a vegetarian reinforces daily this way of life with the food he chooses to eat, the Productive Writer holds a clear and meaningful value that gets expressed in a myriad of ways every single day—in the writing she does, the relationships she has, the spirit in which she works, and the opportunities she creates to move toward her goals.” The good news is that the ideas Sage shares are simple, useful, and easy to implement right away. The Productive Writer can be used to make big changes in your writing practice through exercises designed to help you face your fears, motivate yourself, and manage your submissions.

Sage Cohen recently agreed to answer a few questions about her new book and her work helping writers increase their output and efficiency. I was particularly interested in how her ideas can help poets to be more productive.

How did you begin writing?

This question lands for me much the same as "How did you begin living?" At some point when I had enough mastery of language and writing to put them in service to my needs, I found that life made more sense and my experience was easier to navigate with writing as my lens. It took many years to have self-consciousness that I was actually writing, as there was no goal other than to keep myself company, and no intended audience beyond myself.

What was the hardest part of becoming a productive writer? What time management challenges did you face?

This challenge is different for everyone. For me, the hardest part has always been prioritizing myself and my writing ahead of my many, many other commitments. It's been an ongoing dance, discerning how to live a life that reflects my goals -- both personal and professional -- and nourishes my being while giving service in the ways that matter to me.

When did you know that you had discovered your platform? How did it change your creative process?

In a class on platform with Christina Katz, I proposed platforms on a variety of topics ranging from single parenting to pet care, and Christina reflected back to me very simply, "But aren't you a poet?" Somehow, I had neglected to consider my most important craft to be platform-worthy. With this feedback, a lightbulb went on. I named my platform "Writing the Life Poetic," and within a year, I was teaching online poetry classes, producing a zine and writing a nonfiction book by that same name.

What have you learned from business writing that has helped you to write poetry?

I have become more methodical in my approach to writing poetry and learned to trust the labor of it, regardless of outcome. I sit down and work at something, anything -- revising an older poem, freewriting, following a phrase or image to see where it leads me -- understanding that it is the work of showing up to the blank page with an open heart and moving pen (or fingers on the keyboard) that creates the space for what wants to come through to reveal itself.

And, because I have come to trust my authority as a business writer, I think I also trust myself more as a poet. I know what I'm doing with language, which helps me surrender to all that I don't know about language as I'm in the throes of a poem's particular blindnesses.

One of the great things about The Productive Writer is that it demonstrates how useful it is to be organized. Have you always been this organized, or was it a skill you developed over time? What
mistakes did you make, and what did they teach you?

I am definitely temperamentally suited to organization. I feel better when my life, my work and my stuff is orderly. But I see my organization systems as a work in progress -- one that I've been refining all of my life. I don't like to feel overwhelmed, and I don't like to miss deadlines and I don't like to lose information that is important to me. These discomforts have driven me to find ways to effectively manage and prioritize a huge amount of information, paperwork, goals, deadlines, and now the ever-outgrown toddler clothes! I claim no mastery over this pursuit, but I do have a passion for the process.

Who inspires you?

My son Theo and our muse menagerie of two dogs and three cats are constantly awakening me to the poetry of our ordinary, magnificent lives together.

Who are some of the professionals who inspire you to be productive?

The example and guidance of Christina Katz (http://christinakatz.com/) taught me a great deal about career trajectory, pacing, platform, community building and authoring in the productive writing life. Christina was the most powerful influence in my platform creation and pitching, writing and promotion of my two, nonfiction books.

Seth Godin (http://www.sethgodin.com/sg/) is the most productive thinker / writer / paradigm-transformer I have ever experienced. He churns out insightful books faster than Superman leaps tall buildings.

Jen Lemen (http://www.mondobeyondo.org/) is a social media / community-building / content-creation genius.

Chris Guillebeau (http://www.chrisguillebeau.com/) has cultivated a movement through his blog that has sustained him financially and led to a traditional book deal. On his blog, in his book and through a number of free offerings, he generously shares with readers how he's done the whole shebang.

Do you have a professional mentor? What did you learn from this person?

One of my favorite tips for writers is, "Pretend you are Pam." Meaning, when you get stuck in fear that you don't know enough or aren't good enough to do something, pretend you're someone you believe to be worthy. I swear, it will catapult you right out of your own imagined failure into something far more interesting.

This example has grown out of my own habit of imitating my dear friend, colleague and role model for many, many years: Pamela Kim. Back in 1997, she was my boss and then my business partner. Over the years we have collaborated on endless work and life projects, often serving as each other's primary feedback loop. I have learned from Pam so much about being a professional business woman, creating truly useful systems, and having a productive writing life that is in harmony with who I am and what I want from my life and my work.

How is business writing different from writing a poem?

When I'm writing copy for a client, my goal is to understand their objectives, get inside the perspective of the targeted reader, and then tell a story that bridges the two--showing the end user how a particular product or service is going to address some specific problem or need. So, the writing approach is extremely strategic, with a focus on telling a particular story that inspires a very particular outcome. And, I'm working with a client who is the ultimate decision maker about what I've written. When they are satisfied with what I've written, that's how I know when content is final.

When I write a poem, I am in a completely receptive space that is pretty much the opposite of strategic. It's more like listening for language to choose me, and then meeting it at the page. As words, images, music start unfolding, I grope around for a palpable sense of what they want from me. It's almost like being a beginning partner dancer -- the follower -- paired with an expert leader. I follow the cues as best I can. And once I have a draft, I'm generally cutting back to the quick of the poem's barest and truest intention, trying to release its scent from the burden of words.

In your opinion, what is the biggest mistake that many writers make?

Ready for a tongue-twister? I think that thinking of mistakes as -- well -- mistakes is the biggest mistake a writer can make. I try to view things that didn't go as I had hoped as opportunities for learning more about myself, my writing, the human experience, the publishing world -- whatever the case may be.

How does one repair one’s relationship with a client if the work is unsatisfactory?

I don't think a client relationship is ever irreparable if the writer has been professional about meeting deadlines, communicating well and delivering something that reflects their best effort to meet the client's expectations.

I consider any content that doesn't meet a client's expectations to be a reflection of a miscommunication about objectives. If something isn't hitting the mark, I ask for more information about what the client is striving to accomplish with the communication, how they feel that my draft is not achieving that, and then refine from there.

Of course, it's possible that a client and a writer could decide that they are not a match after a few rounds of revision, and that's ok. Like any relationship, sometimes you have to take a few paces together before discovering that what the client is seeking and what you are offering do not resonate well.

In the book, you talk about embracing fear. Please say a few words about how and why writers should embrace fear, and how this has been a useful tool for you.

I think fear is the number one productivity kabosher. Perfectionism and procrastination are two sneaky ways that fear derails us. Chances are good that if there's some goal you have in your writing life that you're not moving toward, fear is at the root. I dedicated an entire chapter in The Productive Writer to helping writers work with fear in the hopes that it becomes a source of fuel rather than a dead end--because fear actually has tremendous energy that can be harnessed to our benefit.

Probably the scariest thing in my writing life has been public speaking. Because I have been so terrified of it, I made myself do it at every opportunity throughout my life. The more I have practiced, the more relaxed and effective I have become at speaking to an audience. These days, I'm noticing how I actually need that fear energy to give me the big burst of adrenaline that gets me through the hour or two or three when I'm "on."

My hope is that writers will find ways to honor the negative stories that come up when we are afraid, while learning not to let them stop us. In the movie A Beautiful Mind, there is a moment when John Nash (played by Russell Crowe), the famed, schizophrenic mathematician, is is told that he will be awarded the Nobel prize in Economics. He is taking a walk with the person from the Nobel prize committee who asks him, approximately, "How did you silence those voices that were interfering with your work and your life?"

Nash replies something to the effect of, "I didn't stop them. They're talking to me right now. I have simply made a choice to stop engaging with what they're saying."

This is every writer's opportunity with fear -- to learn to live with the negative stories that get air time in our minds -- without letting them limit what we know we are called to do. The productive writer feels the fear and does it anyway.


Sage Cohen is the author of Writing the Life Poetic: An Invitation to Read and Write Poetry and the poetry collection Like the Heart, the World. She holds an M.A. in creative writing from New York University and a B.A. from Brown University. Sage lectures and teaches widely—including the popular online class Poetry for the People, publishes the Writing the Life Poetic zine and recently launched the online community and learning laboratory The Path of Possibility (http://pathofpossibility.com/). She and her son, Theo, live in Portland, Oregon.

The interview above is the latest in a series of conversations between Christopher Luna and his Partners in Truth and Beauty. To read the earlier interviews in this series, follow the links provided below.

Derek Fenner, artist, writer, and co-founder of Bootstrap Press: http://christopherluna-poetry.blogspot.com/2010/02/work-february-2010-interview-with-derek.html

Ryan Gallagher, co-founder of Bootstrap Press and translator of Catullus: http://christopherluna-poetry.blogspot.com/2010/04/work-april-2010-interview-with-ryan.html

Sunday, March 13, 2011

GHOST TOWN POETRY returns to Cover to Cover Books April 14

Vancouver’s Cover to Cover Books
re-opens in a new location April 1
Ghost Town Poetry Open Mic returns to Cover to Cover
for a fourth anniversary reading April 14
Cover to Cover Books, which closed in October due to a fire, will re-open April 1 in a new location. Ghost Town Poetry, the popular open mic poetry reading series that Christopher Luna founded in 2004 and moved to Cover to Cover in 2007 will return to the bookstore on April 14 with a special reading to celebrate National Poetry Month and four years of readings at Cover to Cover.

Current Ghost Town Poetry co-hosts Christopher Luna and Toni Partington took the series on tour to poetry-friendly venues in town while waiting for the bookstore to re-open: Angst Gallery (October), The Stray Gallery (November), Niche Wine and Art Bar (December), the Clark County Historical Museum (January) and Gallery 360 (March). February’s reading was held in a private home belonging to local performer and teacher Marcia McReynolds.

Since 2005 the series has also featured local and national writers including Charles Potts, Lorraine Healy, Neeli Cherkovski, David Meltzer, Michael Rothenberg, Marc Marcel, Walt Curtis, Barbara LaMorticella, Brittany Baldwin, Sage Cohen, Judith Arcana, Sharon Wood Wortman, Judith Montgomery, Penelope Scambly Schott, Dan Raphael, Carlos Reyes, Ed Coletti, Jack McCarthy, David Madgalene, and Turiya Autry. Featured readers have also included Washington State Poet Laureate Sam Green and Oregon State Poet Laureate Paulann Petersen.

According to Luna, “I am very proud of the local arts community for stepping up to provide space to us during our brief period of homelessness. It was always our intention to return to Cover to Cover Books, and we are very happy that they will be back in business soon. We have run an all-ages and uncensored reading every second Thursday since late 2004. I am very grateful to Mel Sanders for staying open late and providing a space for local poets to gather every month. A writer herself, Sanders truly understands the value of community.”
THE TRIUMPHANT RETURN OF GHOST TOWN POETRY
TO COVER TO COVER BOOKS
NOW IN A NEW AND IMPROVED LOCATION!

OPEN MIC POETRY
HOSTED BY CHRISTOPHER LUNA
AND TONI PARTINGTON

7pm
THURSDAY, APRIL 14
(and every second Thursday)

COVER TO COVER BOOKS
6300 NE St. James Rd.,
(St. James & Minnehaha)
Suite 104B
Vancouver, WA

all ages & uncensored since 2004

Friday, March 11, 2011

Upcoming performances by songwriter Matt Meighan


From Matt:

Hi,


I get to play 3 shows this weekend: with the trio and duo on Friday & Saturday, and then Sunday in a house-concert-like setting at Artichoke Music with my friend Colorado songwriter Danny Shafer. (You can read about it in the Southeast Examiner, at http://news.mywebpal.com/news_tool_v2.cfm?pnpID=667&NewsID=996374&CategoryID=8229&show=localnews&om=1).

Monday, current members of my "Songwriting as Truth-Telling" classes will perform songs they've written in the class, at Alberta Street Pub. Details are below; I hope you'll join me for one of these shows:

Friday 3/11 - Matt Meighan Trio at McMenamin's Grand Lodge
w/ Sherry Pendarvis on upright bass and Michael Henchman on guitar
7 - 10 pm, free, 3505 Pacific Ave., Forest Grove, OR
www.mcmenamins.com/426-grand-lodge-home

Saturday 3/12 - Matt Meighan Duo at Edgefield Winery
w/Sherry Pendarvis on upright bass
7 - 9 pm, free, 2126 SW Halsey, Troutdale, OR
www.mcmenamins.com/885-edgefield-winery-tasting-room

Sunday 3/13 - Danny Shafer & Matt Meighan at Artichoke Music
7 - 10 pm, $12, 3130 SE Hawthorne, Portland

Danny is one of my musical mentors and heroes and I look forward to sharing the stage with him!

Monday 3/14 - Truth-telling Songwriters at Alberta Street Pub

Members of my songwriting class share songs they wrote in class. Hosted by Alexa Wiley.

7 - 10, free, 1036 NE Alberta St, Portland
www.albertastreetpub.com/


All of these shows and all my other upcoming shows are on my website, at http://mattmeighan.com/shows.php. Thanks for supporting live local music!

- Matt

Friday, March 4, 2011

THE WORK: MARCH 2011

THE WORK POETRY NEWSLETTER
MARCH 2011
Compiled and edited by
Christopher Luna

Local photographer Tina Tran

Many thanks to all those who came to Niche last Saturday for our first bilingual poetry reading. Tina Tran spoke about the Vietnamese culture and read a few poems in Vietnamese and English. We were honored to have her parents in attendance. Then we heard from Sarah Arslanian, who sung a song in Chinese as well a few tunes from her latest CD, “Darling.” We finished up with a few of my own poems, which I read accompanied by Stuart Jackson on upright bass. Tina has posted video of the reading on Facebook. It was a great evening of poetry and music. I am grateful to Leah Jackson for allowing me to put together events like these.

I am hoping that this will be the first of many multilingual poetry events this year and beyond, so if you or any of your family and friends would like to present poetry in a language other than English, please let me know.

On March 12 I will facilitate my monthly poetry workshop at Niche (1013 Main Street, Vancouver), also known as “The Work.” The workshop costs $20 (or three workshops for $45). We discuss and listen to poetry and writing based on a series of prompts that I will provide. For inspiration, we also listen to recorded examples of poems from my personal collection. No pre-registration is required, but if you join us please bring a poem of your own to share by way of introduction.

I also want to thank Marci McReynolds for opening her beautiful home to us for February’s open mic, featuring Turiya Autry (http://www.turiyaautry.com/TuriyaAutry.com/turiya_autry.html). Marci’s expansive living room was the perfect spot for what turned out to be an emotional event filled with laughter, sadness, and wonder. I am particularly grateful to Turiya’s friends, who made the long journey from Portland to support her, and in some cases, to blow us away with their own work.

This is how you support community: Congratulations are due to Steve Williams and Constance Hall (http://figuresofspeechpdx.wordpress.com) for their successful, transcendent reading featuring Patricia Smith. I am also happy that they decided to have Mel Sanders (http://covertocoverbooks.net/) sell books at the event.

This is how you keep poetry alive: We were also treated to an amazing reading at Paper Tiger Coffee, hosted by Dan Nelson and featuring Jenney Pauer. This was one of the best poetry readings I have ever been to—the work was consistently good, and my reaction ran the gamut of emotions. I alternated between laughing, crying, and staring ahead in astonishment. For example, I wept uncontrollably at the finish of Dennis McBride's incredible piece which invites us to contemplate that Hitler may have once had love in his heart. Or Jeff Samuelsen's hilarious depiction of an estrogen-fueled Western. To read my comments about this event, as well as a slightly filthy collage poem gleaned from my fellow poets, go to: http://christopherluna-poetry.blogspot.com/2011/02/innocent-deflowered-by-paper-tiger.html

Brautigan scholar John S. Barber shares a few memories
of Richard Brautigan with the crowd at January's open mic 

I also posted photos from our Richard Brautigan reading at the Clark County Historical Museum: http://christopherluna-poetry.blogspot.com/2011/02/photos-from-richard-brautigan.html


David and Caroline Chaparro
of Sea of Oaks
at NADA
Photo by Anni Becker

This is how you nurture a neighborhood’s creativity: I also want to congratulate Greg Bee, Cara Cottingham, and everyone involved in Nada, a multimedia spectacular at Tryckpress Galleri that featured art, improv, dance, and music including a great set by Sea of Oaks. If you haven’t seen Sea of Oaks yet, you’re missing out on two incredibly inventive and talented musicians.

This is how you get The Work out there: Finally, congratulations to Cedar Sigo for his excellent book Stranger in Town, published by City Lights (http://www.citylights.com/book/?GCOI=87286100628230), and Sage Cohen, whose The Productive Writer was recently released by Writer’s Digest Books (http://www.writersdigest.com/article/productive-writer-interview). I encourage you to pick up both of these books.

Cedar and I were classmates at the Jack Kerouac School of Disembodied Poetics (http://www.naropa.edu/%5Cacademics%5Cgraduate%5Cwritingpoetics/). I really enjoyed seeing Cedar again—after more than a decade--at his recent reading in Portland.

One of the things that makes VoiceCatcher 5 so special is that it includes great art work from women in our community such as Anni Becker and April Bullard. Although the submission window for writing has closed, artists can submit their work for VoiceCatcher 6 through the end of this month. Please see http://www.voicecatcher.org/ for submission guidelines.

For this month’s open mic, we will gather at Gallery 360, which is run by some of the same people behind Sixth Street Gallery. Their grand opening featured a wonderful photography exhibit. The gallery is housed in a great space which is perfect for our needs.

The Ghost Town Poetry Tour continues*
Open Mic Poetry
hosted by Christopher Luna and Toni Partington
7pm March 10, 2011
(and every second Thursday)
ALL AGES AND UNCENSORED SINCE 2004

This month’s reading will be held at a special location:

Gallery 360
111 West 9th St.
Vancouver, WA
360-693-7340

With our featured reader, Dennis McBride, the author of Looking for Peoria and Killing the Mockingbird (both from Quiet Lion Press) and recipient of the 1996 Andreas Berger Award for poetry

*While Cover to Cover Books rebuilds after a recent fire, Christopher Luna is taking the open mic series he founded in 2004 on tour to various poetry-friendly locations in or near downtown Vancouver.


Dennis McBride
Photo by Elizabeth Archers

Birds in search of a poem
by Dennis McBride

When the galaxy of South American swallows
returns to fill the Anchorage evening sky
with their swift black constellations,
this is not the poem.
But have you seen them!
I mean the million birds expanding and contracting
for real, on the edge of chaos,
right up there above you,
neck-bending, head-looking-up real
and then also in the sky of the mind --
the mind that knows only the small facts of migration,
where they are from, where they are going.
The mind that is reduced to the mud-star wonder of it.
It! This hundred thousand million birds
shooting and swirling and darting
above the giant grade school chimney
awaiting the soft signal of dusk to descend into it
like a million black sky rabbits disappearing
back into the magician’s large stone hat.
This is not the poem.
But when the last five become the last one.
When the inscrutable instruction
swallows the last Swallow into the giant mouth.
When the great stone chimney
is silent and still.
This is the poem.

+++++++++++++++++++

Here’s to more great poetry in March,
Christopher Luna

THE WORK
POETRY NEWSLETTER
MARCH 2011

TABLE OF CONTENTS

1. Dan Raphael reads from “Children of the Blue Supermarket” March 7 and 13 (Portland, OR)

2. Dirty Queer open mic at In Other Words March 11 (Portland)

3. SPLAB presents a reading and workshop with Nathaniel Mackey March 11 and 12 (Columbia City, WA)

4. Figures of Speech Reading with Clem Starck and Jay Nebel at In Other Words March 15

5. Open Mic with featured reader Alex Birkett at Paper Tiger Coffee March 17 (Vancouver)

6. “Song of the Third World Birds,” a new poem by Lawrence Ferlinghetti

7. Artist Trust's Grants for Artist Projects (Deadline: May 10, 2011)

8. “Adrift in a Sea of Oaks” and a short poem for Anni Becker by Christopher Luna


1.

This week's edition of 3 Friends Monday, produced by Show and Tell Gallery (http://showandtellgallery.org/), celebrates the release of new CD, live performances of poetry by dan raphael, saxophone by Rich Halley and drums by Carson Halley. Children of the Blue Supermarket was recorded at the Penofin Jazz Festival in 2008 & 9.



Impulse & Warp: The Selected 20th Century Poems contains works from dan raphael's first 13 collections. He has performed at Wordstock, Bumbershoot, Powell's Books, Burning Word and the Portland Jazz Festival.

Live at the Penofin Jazz Festival by the Rich Halley Quartet was recently reviewed in Downbeat. Rich Halley is a linchpin of creative jazz on the west coast, through various combos, including a yearly outdoor performance on Powell Butte, Carson Halley plays in a number of combos, including the Vibration Path Quarter with their upcoming CD Requiem for a Viper. The show will have a little solo poetry at the end, a big middle of all three of us, & closing with from Rich and Carson. They'll be followed by the weekly Show and Tell Open Mic, sign-up at 8 p.m.

And on Sunday, March 13th, dan rapahel is joining Tola Molotkov (a poetic force of nature) 7pm, as featured readers at Stonehenge Gallery, 3508 SW Corbett. Our reading is followed by an hour of open mike. Both events are free and open as the prairie.

2.

Dirty Queer
Fri, March 11, 6:30pm – 8:30pm

In Other Words Books
14 Killingsworth St.
Portland, OR 97211
503-232-6003

Dirty Queer is an X rated open mic: a place to celebrate sexuality and strut your creative stuff! Hosted by renegade writer and poet Sossity Chiricuzio, Dirty Queer has proven itself to be a thought provoking evening of excitement, passion, laughter and full body shivers. We're looking for queer erotic entertainers of all sorts: dancers, jugglers, singers, musicians, comics, poets, storytellers, magicians, gender performers ... if you can do it in 5 minutes or less (w/ minimal props/equip), this open mic's for you! We average over 120 people a month, so come early if you want a seat. Everyone who attends has a chance to win door prizes from local businesses, as well as a percentage off items at our very own feminist bookstore and host, IOW! Your donation of $1-$5/person for this event goes directly to supporting IOW, and more donations are always welcome. Caveats: 18+, consent is key, no hate speech, sign up is first come, first serve. Need a dose of Dirty Queer sooner than that? Come check out our photos, samples, bios, videos, and podcast on our website: www.dirtyqueer.com. Contact: info@dirtyqueer.com

sign ups for the open mic will be first come, first serve as always - we may not be able to get to everyone on the list if we run out of time. we're averaging 120+ people these days, so come early if you want a seat!

After Dirty Queer, get Bent! it's a big huge sweaty dirty hot queer dance party w/ dj's jodi bon jodi and roy b giv. 9pm until late, $3, foggy notion, 3416 N Lombard.

Saturday, March 12 - Kicked Out Anthology in Portland!

Featuring readings from local contributors and anthology editor/ former Portland local Sassafras Lowrey. Kicked Out published by Homofactus Press brings together the voices of current and former homeless LGBTQ youth and tells these forgotten stories of some of our nation’s most vulnerable citizens. Diverse contributors share stories of survival and abuse with poignant accounts of the sanctuary of community and the power of creating chosen families. 6-8pm, In Other Words.
http://www.facebook.com/event.php?eid=191244524233826

for more info on dirty queer, including podcasts (which will be updated as soon as we get a new host) from previous shows, see our website: http://www.dirtyqueer.com/

3.
From Paul Nelson:

SPLAB welcomes legendary poet, essayist, novelist and editor Nathaniel Mackey to Columbia City, for a reading & workshop at the new SPLAB location, 3651 S. Edmunds, Seattle, in the Cultural Corner of the former Columbia School and a talk at the NW African-American Museum. For more information: http://splab.org/?s=Nathaniel+Mackey

On Friday, March 11, Mackey gives a talk and prose reading at 7:00 pm at the Northwest African-American Museum, 2300 S. Massachusetts St.

He’ll read from his latest prose collection and answer questions from Moderator Paul Nelson and Interlocutor, University of Washington/Bothell professor Jeanne Heuving.

Admission is $5, and space is limited. The event is co-sponsored by the CD Forum.

On Saturday, March 12, Mackey will lead an afternoon writing workshop from 1:00 to 4:00 pm, followed by a public reading at 7:30 pm. Admission to the public reading is $5. The workshop and reading will be held at SPLAB, 3651 S Edmunds in the Cultural Corner of the former Columbia School.

The workshop cost is $75 per person, and space is limited. To register for the Nate Mackey workshop, or for more information, please contact Paul Nelson at pen@splab.org or call 206-422-5002.

Sponsored by 4Culture, Poets and Writers, CD Forum, The Seattle Office of Arts & Cultural Affairs, The Shirley Marvin Hotel, Richard Hugo House and WESTAF.

4.
From Steve Williams:

First of all, thank you to all who came to see Patricia Smith on Feb 11th and PSU and 4 nights later at the 100th monkey to see Jon Seaman and Don Colburn. Both evenings were very special to both of us.

We are pleased to officially announce that Figures of Speech has found a new home at the independent feminist bookstore "In Other Words." Both the reading series on the third Tuesday of the month and the critique group on the second Sunday of the month will be meeting there starting in March. The reading series will start at 7 p.m. each month and the critique group will be from 4 - 6 p.m. except for March 13th when will be there from 1 - 3 p.m.

Note: March’s critique group has been canceled.

We want to support our local bookstores and think this will a good partnership. In that vein, we will start offering broadsides at each reading with poems from the two featured readers for that month. We ask you make a minimum donation to In Other Words of $5.00 and we will give you a broadside in return. Smaller donations of $1-$4 are also welcome or else you can certainly purchase something from the store (they'll be open for both events). We think this is a good way to support the venue and we want to do our part in making sure it stays solvent.

Our next event 7 p.m. on March 15th at In Other Words features a past Oregon Book Award winner (Clem Starck) and someone we think has a shot at being a future winner (Jay Nebel).

This will be our first reading at our new venue.

CLEMENS STARCK is a Princeton drop-out and a former merchant seaman. He has worked at many jobs, but mostly as a carpenter and construction foreman on the West Coast—San Francisco, British Columbia, and Oregon. His first book of poems, Journeyman’s Wages, received the 1996 Oregon Book Award as well as the William Stafford Memorial Poetry Award from the Pacific Northwest Booksellers Association. His next two books—Studying Russian on Company Time (1999) and China Basin (2002)—were also finalists for the Oregon Book Award. His most recent collection, Traveling Incognito, is a letterpress chapbook from Wood Works in Seattle. He lives on forty-some acres in the country outside of Dallas, Oregon, in the mid-Willamette Valley.

Jay Nebel’s poems have appeared in journals including Tin House, New Orleans Review, Massachusetts Review, Poetry Northwest and are forthcoming in American Poetry Review. He lives in Portland with his wife and their almost four year old son Maximus. Jay is thankful that he has not had a speeding ticket in over 3 years and that currently there are no warrants out for his arrest.

5.
From Dan Nelson

Hello again poetry lovers,

Thanks to everyone who promoted or attended our February reading at Paper Tiger. It was an amazing night! Jenney Pauer kept us spellbound with here powerful imagery and gut wrenching words. This woman has been through the fire that would've melted my waxen core yet it tempered her iron into steel. Don't know how that small frame carries such a huge and giving heart. Thank you so much, Jenney! And our biggest crowd yet really rose to the occasion by delivering an outstanding selection of great verse. Pathos, humor, rage, surrealism, love, lust, and paradigm shattering insights were all there. I really thank all of you for a night so inspiring I couldn't let go of it enough to sleep.

For next months event, Thursday, March 17th at 7pm at Paper Tiger Coffeehouse,(703 Grand blvd. in Vancouver, located between Mill Plain and Evergreen about a mile east of I-5), we will be featuring, in addition to our usual open mic, the by turns literary, real and surreal, funny, shocking, emotive and always entertaining poet, Alex Birkett. Alex Birkett is a joyful malcontent, whose brief tour through community college served to illustrate how little he knows. And he is okay with that. A painter and philosopher at birth, he discovered writing while dreaming on a Grey Hound bus bound for Vancouver Washington where he now resides.

Here is an appetizer of his work to whet your appetite.

Agamemnon’s Fortune Cookie by Alex Birkett
"Someone out there is interested in you. Pay close attention"

Strange and terrible that foreboding words
Spring from delicious treats.
To me they dictate detestable fate;
That I, ignorant, am pursued by something sweet
And that I perish in turn pursuing dates!
Strangers that I might know sharpen their hatchets,
So I'll dismiss banquets, baths, and avoid the nets!

Many times I have relieved myself by rationalizing the improbability of doom saying fortune cookies.

But I am always troubled by an intuitive pang that I am ignoring Cassandra, my waitress, whom I insist on tipping very well.


Hope to see you all there for great beverages, great company and some of the finest poetry in the PNW.

And btw; Someone left a Grey/Blue Knitted Scarf made of Acrylic and Mohair from American Eagle Outfitters. If it's yours or you know who left it contact Toni Partington @ tpartington@earthlink.net

Dan Nelson
360-334-1129
nelsondaniel59@yahoo.com

6.
A new poem by Lawrence Ferlinghetti

Note from Christopher Luna: Blogspot did not allow me to maintain the original formatting of this poem. Pleas see http://www.citylights.com/Ferlinghetti/?fa=ferlinghetti_poems if you would like to see how this poem is supposed to look:

Lawrence Ferlinghetti at City Lights in San Francisco
"SONG OF THE THIRD WORLD BIRDS"

A cock cried out in my sleep
somewhere in Middle America
to awake the Middle Mind
of America

And the cock cried out
to awake me to see
a sea of birds
flying over me
across America

And there were birds of every color
black birds & brown birds
& yellow birds & red birds
from the lands of every
liberation movement

And all these birds circled the earth
and flew over every great nation
and over fortress America
with its great eagle
and its thunderbolts

And all the birds cried out with one voice
the voice of those who have no voice
the voice of the invisibles of the world
the voice of the dispossessed of the world
the fellaheen peoples of earth

And which side are you on
sang the birds
Oh which side are you on
in the Third World War
the war against the Third World?

7.
Artist Trust's Grants for Artist Projects (GAP)
Online Applications Available
Application Deadline: May 10, 2011

Individual artists who reside in Washington State are encouraged to apply to the 2011 GAP (Grants for Artist Projects) Program. Artist Trust's GAP Program provides support for individual artist projects by awarding up to $1,500 for projects including (but not limited to) the development, completion or presentation of new work. Last year 795 artists applied to the GAP Program and 63 artists were funded from around the State.

The GAP Program is open to artists working in all creative disciplines including visual, performing, literary, media, emerging and cross-disciplinary arts. Applicants must be residents of Washington State but cannot be a graduate or undergraduate student enrolled in a degree program.

A peer review panel of artists and art professionals from across Washington State selects GAP recipients. The panel's selections are based foremost on the artistic excellence of an artist's work as represented in their application.

To apply, visit http://artisttrust.org/index.php/for-artists/money#grants_for_artist_projects. Applications must be submitted online by 5:00pm on May 10, 2011. Artists are invited to visit Artist Trust's office or visit your local library for free online access.

Artists are encouraged to attend a "How to Build A Strong Grant Application Workshop" and "Applying for the GAP" webinars offered free for all artists. Visit http://artisttrust.org/index.php/for-artists/career-training for more information.

Artist Trust is a not-for-profit organization whose sole mission is to support and encourage individual artists working in all disciplines in order to enrich community life throughout Washington State.

Contact: Miguel Guillen, Program Manager
miguel@artisttrust.org; 206/467-8734 x11; toll-free 1/866/218-7878

8.
Poems inspired by Nada
By Christopher Luna
 
 
Caroline Chaparro of Sea of Oaks
at NADA
Photo by Anni Becker
 
Adrift in a Sea of Oaks


1.

Welcome to my little world
where you are free to exhale
         ever so gently
   unanticipated forgiveness
into the atmosphere.

We can ride it.
We refuse to be paralyzed.

I promise to open my eyes this time.

I have made it this far.

I am determined to see.

            The centipede will not stop me.
            No marionette can block my path.
            My airway is open

                                              clear of obstruction
                                              rid of bile

             new semblance of openheartedness
             blossoms without delay

and we fade
nicely into the
moment after
this one
watch the frame
fall away
float
and
shatter
endlessly


Cara Cottingham at NADA
Photo by Anni Becker

2.

There is a creep inside each of us. “Hasn’t had a kiss in 12 years.” Sit down beside him. Let him go. Set him free to stalk your long-forgotten woe, like Marcel’s fever dream. “Everything’s OK, even thought it doesn’t seem like it is.” Take this aphorism. May it serve you well. My cracked gift to you. “It’s just a feeling.” Cara likes paranormal things.

Actually, it is a story. Only a story. Thankfully temporary. If you don’t like the story you’ve been telling yourself, launch a new narrative. Face the horrific possibility of a new page. Fall in. Fill it with the contents of your head.

The cat waits. Honored to sit beneath you. The cat does not contribute; instead he watches the proceedings silently, occasionally mumbling, surveilling the scene. Blank. Aloof. Toe twitches. Tail swings. This too is illusion. Cotton candy gleam in your eye. First eye. Slit. Observing all. Reserving comment.

Allow your focus to drift and the veil falls away. You are now able to perceive the space between. The negative space in which The Real resides. In which The Truth Hides, waiting for you to take its hand.

Christopher Luna
at NADA 2011
by Anni Becker


A short, as-yet-untitled poem
in honor of Anni Becker

Anni: abandon fear
get right up in her grill
make love to her nose
become the Eye of us all

Christopher Luna
At NADA
Tryckpress Galleri
Vancouver, WA
February 5, 2011

Brittney at NADA
Photo by Anni Becker